?If we had only two or three of Patrick O?Brian?s Aubrey-Maturin series, we would count ourselves lucky; with six or seven the author would be safely among the greats of historical fiction? This is great writing by an undiminished talent. Now on to Volume Twenty, and the liberation of Chile.? WILLIAM WALDEGRAVE, Literary Review

This is the twentieth book in Patrick O?Brian?s highly acclaimed, bestselling series chronicling the adventures of lucky Jack Aubrey and his best friend Stephen Maturin, part ship?s doctor, part secret agent. The novel?s stirring action follows on from that of The Hundred Days. Napoleon?s hundred days of freedom and his renewed threat to Europe have ended at Waterloo and Aubrey has finally, as the title suggests, become a blue level admiral. He and Maturin have ? at last ? set sail on their much postponed mission to Chile. Vivid with the salty tang of life at sea, O?Brian?s writing is as powerful as ever whether he writes of naval hierarchies, night-actions or the most celebrated fictional friendship since that of Sherlock Holmes and Dr Watson. Blue at the Mizzen also brings alive the sights and sounds of revolutionary South America in a story as exciting as any O?Brian has written.

The Yellow Admiral ? the eighteenth novel in the sequence hailed as the greatest series of historical novels ever written ? sets the fall and rise of Jack Aubrey in brilliant counterpoint to the fall and rise of Napoleon Bonaparte.

Life ashore may once again be the undoing of Jack Aubrey. Even Jack?s exploits at sea turn sour in the storm waters off Brest. Worst of all, in the spring of 1814 peace breaks out. But Stephen Maturin returns from a mission in France with news that the Chileans require the service of English officers. Jack is savouring this reprieve for his career when he receives an urgent despatch ordering him to Gibraltar: Napoleon has escaped from Elba.

'The Thirteen Gun Salute' opens with Jack Aubrey reinstated to his command and sailing on a secret mission with a hand-picked crew, most of them shipmates from the adventures and lucrative voyages of earlier years. Patrick O'Brian's resourcefulness is a sure warrant that things will not turn out as his readers or his characters expect. Twists and turns, sub-plots, echoes from the past, these are the only certainties in this astonishing 'roman fleuve'. Distant waters, exotic scenes, flora and fauna to satisfy Aubrey's old friend Stephen Maturin's innocent curiosity, as well as the scope for his cloak and dagger work, enrich its flow. The ending of the book leaves the reader more than usually impatient for its successor.

'Patrick O'Brian is one of the most compelling and brilliant novelists of his time with a huge band of admirers in all manner of places. Beyond his superbly elegant writing, wit and originality, he showed an understanding of the nature of a floating world at the mercy of the wind and the sea which has never been surpassed.

'Jane Austen, 'sur mer''
Bob Doe, 'Times Educational Supplement'

Following the extraordinary success of The Yellow Admiral, this latest Aubrey-Maturin novel brings alive the sights and sounds of North Africa as well as the great naval battles in the days immediately following Napoleon?s escape from Elba. Aubrey and Maturin are in the thick of the plots and counterplots to prevent his regaining power. Coloured by conspiracies in the Adriatic, in the Berber and Arab lands of the southern shores of the Mediterranean, by night actions, fierce pursuits, slave-trading and lion hunts, The Hundred Days is a masterpiece.

?O?Brian is far and away the best of the Napoleonic storytellers and The Hundred Days is one of the best of the series: a classic naval adventure, crammed with incident, superbly plotted and utterly gripping?This is O?Brian at his brilliant, entertaining best and when he is on this form the rest of us who write of the Napoleonic conflict might as well give up and try a new career. Fans of the series will need no encouragement to buy this book, but if you are new to Aubrey and Maturin then this is as splendid an introduction as you could wish for.? Bernard Cornwell

Patrick O'Brian is regarded by many as the greatest historical novelist in English. In 'The Nutmeg of Consolation', Jack Aubrey and Stephen Maturin begin stranded on an uninhabited island in the Dutch East Indies, attacked by ferocious Malay pirates. They contrive their escape, but after a stay in Batavia and a change of ship, are caught up in a night chase in fiercely tidal waters and then embroiled in the much more insidious conflicts of the terrifying penal settlements of New South Wales. It is one of O'Brian's most accomplished and gripping books.

'Some of the success of this great sequence comes from the conviction and huge enthusiasm which O'Brian had for his history. Everything changed the moment he realised the Napoleonic wars were the Englishman's Troy tales, as historically and mythically rich, and imaginatively exploitable as the story that produced 'The Iliad' and all its heirs.'
W.L. Webb, 'Guardian'

'One of the most brilliantly sustained pieces of historical fiction writing this century.'
James Teacher, 'Spectator'

The adventure continues . . . At the time of his death, Patrick O'Brian had begun to write the twenty-first book in his famous and much-loved Aubrey-Maturin series. The chapters he left behind are presented here, both in printed version and a facsimile of his manuscript, which goes several pages beyond the end of the typescript and includes O'Brian's own marginal notes. The story picks up from the end of Blue at the Mizzen when Jack Aubrey receives the news, in Chile, of his elevation to flag rank: Rear Admiral of the Blue Squadron, with orders to sail to the South Africa station. 'This fragment is both delightful and tantalising, with hints of a plot that might have involved Jack and Stephen with St Helena or Napoleon himself.' Literary Review

Jack Aubrey's long service is at last rewarded: he is promoted to the rank of Commodore and given a squadron of ships to command. His mission is twofold - to make a large dent in the slave trade off the coast of Africa and, on his return, to intercept a French fleet set for Bantry Bay with a cargo of weapons for the disaffected among the Irish. Invention and surprise follow at every turn in this tale of nineteenth-century seamanship, as rich, as compelling, as masterly as any of its predecessors.

The first novel Patrick O'Brian ever wrote about the sea - and the precursor to the famous Aubrey-Maturin series. The Golden Ocean is the first novel Patrick O'Brian ever wrote about the sea. The novel shares the same sense of excitement and the rich humour of the Aubrey-Maturin novels, invoking the eloquent style and attention to historical detail that O'Brian readers admire so much. The protagonist of this story is Peter Palafox, son of a poor Irish parson, who signs on as a midshipman, never before having seen a ship. He is a fellow who would have delighted the young Stephen Maturin or Jack Aubrey ... and quarrelled with them as well. Together with his life-long friend Sean, Peter sets out to seek his fortune, embarking on a journey of danger, disappointment, foreign lands and excitement. Written in 1956, this is a tale certain to please not only the many admirers of O'Brian, but any reader with an adventurous soul.

Master and Commander is the first of Patrick O’Brian’s now famous Aubrey/Maturin novels, regarded by many as the greatest series of historical novels ever written. It establishes the friendship between Captain Jack Aubrey RN and Stephen Maturin, who becomes his secretive ship’s surgeon and an intelligence agent. It contains all the action and excitement which could possibly be hoped for in a historical novel, but it also displays the qualities which have put O’Brian far ahead of any of his competitors: his depiction of the detail of life aboard a Nelsonic man-of-war, of weapons, food, conversation and ambience, of the landscape and of the sea. O’Brian’s portrayal of each of these is faultless and the sense of period throughout is acute. His power of characterisation is above all masterly.

This brilliant historical novel marked the début of a writer who grew into one of our greatest novelists ever, the author of what Alan Judd, writing in the Sunday Times, has described as ‘the most significant extended story since Anthony Powell’s A Dance to the Music of Time’.

Patrick O’Brian is regarded by many as the greatest historical novelist now writing. Post Captain, the second novel in his remarkable Aubrey/Maturin series, led Mary Renault to write: ‘Master and Commander raised dangerously high expectations; Post Captain triumphantly surpasses them.’

This tale begins with Jack Aubrey arriving home from his exploits in the Mediterranean to find England at peace following the Treaty of Amiens. He and his friend Stephen Maturin, surgeon and secret agent, begin to live the lives of country gentlemen, hunting, entertaining and enjoying more amorous adventures. Their comfortable existence, however, is cut short when Jack is overnight reduced to a pauper with enough debts to keep him in prison for life. He flees to the continent to seek refuge: instead he finds himself a hunted fugitive as Napoleon has ordered the internment of all Englishmen in France. Aubrey’s adventures in escaping from France and the debtors’ prison will grip the reader as fast as his unequalled actions at sea.

'The Unknown Shore', Patrick O'Brian's second novel about the sea and a worthy ancestor of the Aubrey-Maturin novels, tells the tale of the 'Wager', an ill-fated ship on Anson's expedition round the world. Parted from her squadron, the 'Wager' is driven on to rocks and sinks off the coast of Chile. The survivors include Jack Byron, a midshipman, and his protégé Toby, an alarmingly naïve surgeon's mate with a single-minded devotion to zoology. Faced with a surplus of rum, a disappearing stock of food, and a hard, detested captain, the survivors soon descend into trouble of every kind including drunkenness, mutiny and bloodshed.

Admirers of O'Brian's Aubrey-Maturin novels will see in Jack Byron, a matter-of-fact, bluff precursor to the great Jack Aubrey, whilst Toby is an amiable companion whose vagaries afford endless diversion on a hard and dramatic journey.

“'The Unknown Shore' has the same elements that mark Mr O’Brian’s more recent works: the wealth of social detail, the quiet humour, the harrowing shipwrecks, the swashbuckling adventures in foreign parts – and most important, the abiding and unlikely friendship between two young men, one a sociable creature born to the sea and the other a surgeon’s mate, brilliant in scientific understanding but lacking in social graces.”
TAMAR LEWIN, 'NewYork Times'

“Patrick O’Brian is the doyen of naval fiction…'The Unknown Shore' is satisfyingly filled with details of naval life, of natural history, and of the political and social background to the narrative. It is written with all the wit, scholarship and meticulous attention to detail which are characteristic of its 18 successors.”
PETER GORB, 'Ham & High'

Commissioned to rescue Governor Bligh of Bounty fame, Captain Jack Aubrey and his friend and surgeon, Stephen Maturin, sail the Leopard to Australia with a hold full of convicts. Among them is a beautiful and dangerous spy — and a treacherous disease which decimates the crew.

The ingredients of a wonderfully powerful and dramatic O’Brian novel are heightened by descriptive writing of rare quality. Nowhere in contemporary prose have the majesty and terror of the sea been more effectively rendered than in the thrilling chase through an Antarctic storm in which Jack’s ship, under-manned and out-gunned, is the quarry not the hunter.

Captain Jack Aubrey sails away from the hated Australian prison colonies in his favourite vessel, the 'Surprise', pondering on middle age and sexual frustration. He soon becomes aware that he is out of touch with the mood of his ship: to his astonishment he finds that in spite of a lifetime's experience, he does not know what the foremost hands, or even his own officers are thinking. They know, as he does not, that the 'Surprise' has a stranger on board: and what they, for their part, do not know is that the stranger is potentially as dangerous as a light in the powder magazine itself.

'Few books so entertaining and readable are based on such strong research and grasp of human nature. One moment you laugh out aloud at comedy rooted in character, and the next, storming adventure or danger grips you by the throat…good writing allied to must-read-on storytelling.'
Shaun Usher, 'Daily Mail'

'Thank god for Patrick O'Brian. His genius illuminates the literature of the English language and lightens the lives of those who read him.'
Kevin Myers, 'Irish Times'

Jack Aubrey is a naval officer, a post-captain of experience and capacity. When 'The Letter of Marque' opens he has been struck off the Navy list for a crime he has not committed.

With Aubrey is his friend and ship's surgeon Stephen Maturin, who is also an unofficial British intelligence agent. Maturin has bought for Aubrey his old ship, the 'Surprise' as a 'private man-of-war'. Together they sail on a voyage which, if successful, might restore Aubrey to the rank, and the raison d'etre whose loss he so much regrets.

"The success of this great sequence comes from the conviction and huge enthusiasm which O'Brian had for his history. Everything changed when he realised that the Napoleonic wars were the Englishman's Troy tales, as historically and mythically rich, and imaginatively exploitable as the story that produced 'The Iliad'."
W.L. WEBB, 'Guardian'

"From the opening page I was addicted to what I judge to be one of the greatest cycles of storytelling in the English language."
WILLIAM WALDEGRAVE, 'Daily Telegraph'

H.M.S. Surprise follows the variable fortunes of Captain Jack Aubrey’s career in Nelson’s navy as he attempts to hold his ground against admirals, colleagues and the enemy, accepting a mission to convey a British ambassador to the East Indies. The voyage takes him and his friend Stephen Maturin to the strange sights and smells of the Indian sub-continent, and through the archipelago of spice islands where the French have a near-overwhelming superiority.

Rarely has a novel managed to convey more vividly the fragility of a sailing ship in a wild sea. Rarely has a historical novelist combined action and lyricism of style in the way that O’ Brian does. His superb sense of place, brilliant characterisation, and a vigour and joy of writing lift O’Brian above any but the most exalted of comparisons.

At the opening of a voyage filled with disaster and delight, Jack Aubrey and Stephen Maturin are in pursuit of a privateer sailing under American colours through the Great South Sea. Stephen's objective is to set the revolutionary tinder of South America ablaze in order to relieve the British government which, already engaged in a death-struggle with a Europe dominated by Napoleon, has blundered into war with the young and uncomfortably vigorous United States.

The shock and barbarity of hand-to-hand fighting are sharpened by O'Brian's exact sense of period, his eye for landscape and his feel for a ship under sail. His thrilling descriptions of hair-raising and bloody actions make the reader grateful that he is watching from a distance.

'If O'Brian's novels have become a cult, this is because they are truly addictive. They are, quite magnificently, adventure yarns whose superb authenticity never distracts from the sheer thrill of the action. What brings the research to life is O'Brian's vivid evocation of the individual atmosphere aboard each different ship – the inner weather, as it were, of a floating world dependent on the literal wind and waves.'
Caroline Moore, 'Sunday Telegraph'

Jack Aubrey returns from his duties protecting whalers off the South American coast and is persuaded by a casual acquaintance to make investments in the City on the strength of supposedly certain information. From there he is led into the half-worlds of the London criminal underground and of government espionage – the province of his friend, Stephen Maturin.

Devoted readers of Patrick O'Brian will find here all the brilliance of characterisation and all the sparkle of dialogue they have come to expect from a novelist often described as 'Jane Austen 'sur mer''. For those who will read him for the first time there will be the pleasure of discovering a novelist of unique character.

"While his stories tell of men at war, he is a novelist of great gentleness of spirit. A pervasive serenity, a generosity towards human frailty, are among the qualities which have made his books irresistible. ..He is the most brilliant historical novelist of modern times."
MAX HASTINGS, 'Evening Standard'

"These novels are a brilliant achievement. They display staggering erudition on almost all aspects of eighteenth-century life."
'Times Literary Supplement'

It is still the War of 1812. Patrick O'Brian takes his hero Jack Aubrey and his tetchy, sardonic friend Stephen Maturin on a voyage across the South Atlantic to intercept a powerful American frigate outward bound to play havoc with the British whaling trade.

If they do not come up with her before she rounds the Horn they must follow her into the Great South Sea and as far across the Pacific as she may lead them. It is a commission after Jack's own heart. Maturin has fish of his own to fry in the world of secret intelligence. That the enemy is in fact faithfully dealt with no one who has the honour of Captain Aubrey's acquaintance can take leave to doubt.

"If O'Brian's novels have become a cult, this is because they are truly addictive…They are, quite magnificently, adventure yarns, whose superb authenticity never distracts from the sheer thrill of the action."
CAROLINE MOORE, 'Sunday Telegraph'

"The truth is that we aficionados scarcely feel them to be novels at all. They are a world of their own, a world full of excitement, mystery, charm and good-manners."
JAN MORRIS, 'Observer'

Jack Aubrey and Stephen Maturin, veterans of many battles, return in this novel to the seas where they first sailed as shipmates. But Jack is now a senior Captain commanding a line-of-battle ship sent out to reinforce the squadron blockading Toulon, and this is a longer, harder, colder war than the dashing frigate action of his early days.

A sudden turn of events takes him and Stephen off on a hazardous mission to the Greek islands. All his old skills of seamanship, and his proverbial luck when fighting against odds, come triumphantly into their own. The book ends with as fierce and thrilling an action as any in this magnificent series of novels.

Uniquely among authors of naval fiction, Patrick O’Brian allows his characters to develop with experience. The Jack Aubrey of Treason’s Harbour has a record of successes equal to that of the most brilliant of Nelson’s band of brothers, and he is no less formidable or decisive in action or strategy. But he is wiser, kinder, gentler too.

Much of the plot of Treason’s Harbour depends on intelligence and counter-intelligence, a field in which Aubrey’s friend Stephen Maturin excels. Through him we get a clearer insight into the life and habits of the sea officers of Nelson’s time than we would ever obtain seeing things through their own eyes. There is plenty of action and excitement in this novel, but it is the atmosphere of a Malta crowded with senior officers waiting for news of what the French are up to, and wondering whether the war will end before their turn comes for prize money and for fame, that is here so freshly and vividly conveyed.

Jack Aubrey and Stephen Maturin are ordered home by despatch vessel to bring the news of their latest victory to the government. But Maturin is a marked man for the havoc he has wrought in the French intelligence network in the New World, and the attentions of two privateers soon become menacing.

The chase that follows through the fogs and shallows of the Grand Banks is as thrilling, as tense and as unexpected in its culmination as anything Patrick O’Brian has written. Then, among other things, follows a shipwreck and a particularly sinister internment in the notorious Temple Prison in Paris. Once again, the tigerish and fascinating Diana Villiers redresses the balance in this man’s world of seamanship and war.

Ardent, gregarious British naval officer Jack Aubrey is elated to be given his first appointment as commander: the fourteen-gun ship HMS Sophie. Meanwhile-after a heated first encounter that nearly comes to a duel-Aubrey and a brilliant but down-on-his-luck physician, Stephen Maturin, strike up an unlikely rapport. On a whim, Aubrey invites Maturin to join his crew as the Sophie's surgeon. And so begins the legendary friendship that anchors this beloved saga set against the thrilling backdrop of the Napoleonic Wars. Through every ensuing adventure on which Aubrey and Maturin embark, from the witty parley of their lovers and enemies to the roar of broadsides as great ships close in battle around them, O'Brian "provides endlessly varying shocks and surprises-comic, grim, farcical and tragic.... [A] whole, solidly living world for the imagination to inhabit" (A. S. Byatt).

Captain Jack Aubrey is ashore on half-pay without a command — until his friend, and occasional intelligence agent, Stephen Maturin, arrives with secret orders for Aubrey to take a frigate to the Cape of Good Hope, under a Commodore’s pennant. But the difficulties of carrying out his orders are compounded by two of his own captains — Lord Clonfert, a pleasure-seeking dilettante, and Captain Corbett, whose severity can push his crews to the verge of mutiny.

Based on the actual campaign of 1810 in the Indian Ocean, O’Brian’s attention to detail of eighteenth-century life ashore and at sea is meticulous. This tale is as beautifully written and as gripping as any in the series; it also stands on its own as a superlative work of fiction.

The recent release of the film Master and Commander: The Far Side of the World has focused even more attention on the publishing phenomenon of the late Patrick O'Brian's Aubrey/Maturin novels about the Royal Navy in the age of Nelson. These five volumes, beautifully produced and boxed, contain over 7,000 pages of what has often been described as a single, continuous narrative. They are a perfect tribute to such a literary achievement, and a perfect gift for the serious O'Brian enthusiast.